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The first talent contest for rock bands in Seoul was organized in 1968. Some Korean singers gained international popularity. The Kim Sisters, Yoon Bok-hee and Patti Kim were the first singers to debut in such countries as Vietnam and United States.
Sometimes sub-units or sub-groups are formed among existing members. Promotional cycles of subsequent singles are called comebacks even when the musician or group in question did not go on hiatus.
However, the use of English has not guaranteed the popularity of K-pop in the North American market.
For some commentators, the reason for this is because the genre can be seen as a distilled version of Western music, making it difficult for K-pop to find acceptance in these markets. When combining multiple singers, the singers often switch their positions while singing and dancing by making prompt movements in synchrony, a strategy called "formation changing" (Korean: 자리바꿈, Jaribaggum).
Modern K-pop is marked by its use of English phrases.
Jin Dal Yong of Popular Music and Society wrote that the usage may be influenced by "Korean-Americans and/or Koreans who studied in the U. [who] take full advantage of their English fluency and cultural resources that are not found commonly among those who were raised and educated in Korea." In 1995, the percentage of song titles using English in the top 50 charts was 8%.
The more modern form of the genre emerged with one of the earliest K-pop groups, Seo Taiji and Boys, forming in 1992.