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This could have been either the 1594 A Shrew or the Shakespearean The Shrew, but as the Admiral's Men and the Lord Chamberlain's Men, Shakespeare's own company, were sharing the theatre at the time, and, thus, Shakespeare himself was probably there, scholars tend to assume that it was The Shrew The Shrew must have been written earlier than 1593, as Anthony Chute's Beauty Dishonoured, written under the title of Shore's wife (published in June 1593) contains the line "He calls his Kate, and she must come and kiss him." This must refer to The Shrew, as there is no corresponding "kissing scene" in A Shrew.
There are also verbal similarities between both Shrew plays and the anonymous play A Knack to Know a Knave (first performed in June 1592).
In addition, some scholars dissent from the conventional dating system altogether. There are six major modern scholarly editions of the Complete Works of Shakespeare: The Riverside Shakespeare (edited by G.
Blakemore Evans in 1974, with a second edition in 1996), The Oxford Shakespeare: The Complete Works (edited by Stanley Wells, Gary Taylor, John Jowett and William Montgomery in 1986, with a second edition in 2005), The Norton Shakespeare: Based on the Oxford Edition (edited by Stephen Greenblatt, Walter Cohen, Jean E.
Howard and Katharine Eisaman Maus in 1997, with a second edition in 2008), The Arden Shakespeare: Complete Works (edited by Richard Proudfoot, Ann Thompson and David Scott Kastan in 1998, with a second edition in 2002 and a third in 2011), The Complete Pelican Shakespeare (edited by Stephen Orgel and A. Braunmuller in 2002), and The RSC Shakespeare: Complete Works (edited by Jonathan Bate and Eric Rasmussen in 2007).
Additionally, as with Oxford, Arden, Pelican and the RSC, the New Cambridge Shakespeare, the New Penguin Shakespeare, the Signet Classic Shakespeare, the Dover Wilson Shakespeare, the Shakespeare Folios and the Folger Shakespeare Library all publish scholarly editions of individual plays, although none have issued a complete works volume.
The earliest known performance of the straight Shakespearean text was at Covent Garden on 15 April 1784, although because of the reference to the play in Palladis Tamia, we know it was definitely performed in Shakespeare's lifetime.
Evidence: Stanley Wells argues that the play's "dramatic structure is comparatively unambitious, and while some of its scenes are expertly constructed, those involving more than, at the most, four characters betray an uncertainty of technique suggestive of inexperience." The play is therefore considered one of the first Shakespeare composed after his arrival in London in about 1590, at which point he would have lacked theatrical experience. Honigmann, suggests Shakespeare may have written the play prior to his arrival in London, possibly as early as 1587, although he acknowledges this theory is purely speculative.
In cases such as this, performance history reveals nothing about the date of composition.If the author's opinion is the purpose of the work, it's an Author Tract.If this is the climax of the book, it's often a case of Talking the Monster to Death.For example, Titus Andronicus was performed in 1592, but not published until 1594, Othello was performed in 1604 but not published until 1622, King Lear was performed in 1606 but not published until 1608. Honigmann, who has attempted to push back the beginning of Shakespeare's career four or five years to the mid-1580s, with his "early start" theory.Performance and publication dates can thus be used only to determine terminal dates of composition, with the initial dates often remaining much more speculative. Honigmann argues that Shakespeare began his career with Titus Andronicus in 1586 (the conventional school of thought is that Shakespeare began writing plays upon arriving in London c.1590).
This article presents a possible chronological listing of the composition of the plays of William Shakespeare.